Watching Pablo Ferro's title sequence for the original The Thomas Crown Affair (see the previous post below) I was reminded of Alan Fletcher's poster for the National Portrait Gallery in London which juxtaposes rectangular fragments of portraits from the gallery's collection to create an irreverent caricature of the Prince of Wales (should there ever be anything other than irreverent for Charlie boy?)
Fletch's poster was again a brilliant piece of creativity amazingly well-seen.
Watch the YouTube clip and spot the similarities, quite coincidentally.
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